Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.

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The story of a famous middle-aged writer and a college graduate who embark on a road trip that becomes a cross-generational counterpoint.

After being fired for suspecting illegal toxic waste trafficking at her company, a secretary falsely accuses her superior, Marc, of sexual harassment on the radio. This lie drives Marc's fiancée to suicide, while simultaneously, the company owner frames the unsuspecting Marc for the illegal trafficking to cover his own tracks as the police close in.

This romantic fairy tale is based on a story by German writer Theodor Storm. It tells the story of two young children, Kristian and Elke, who, thanks to their bravery and honesty, manage to overcome the Fire Lord, the evil Iris, to free the Rain Fairy and save the whole Earth from drought and thirst.

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Set in 1776, this historical film by Petr Hvizd concerns an army deserter who takes refuge within the walls of the Convent of St. Claire. The investigation to find him soon becomes a question of morality concerning the value of human life in the context of the diversity and hierarchy of social laws.

Deshu, a mechanic from Dubai, comes home to Mumbai, and gets embroiled in a crime by accident. The film shows his meteoric rise from common, law-abiding man to underworld kingpin.